Print format
Between Beasts and God
Gilbert Meilaender
Near the
beginning of the twenty–fourth and last Book of Homer’s
Iliad, called by Simone Weil "the only true epic" the
West possesses, even the gods—detached as they are in their
bliss from all suffering—have seen enough. Achilles has
become inhuman. Ignoring our animal nature, our kinship with
the beasts, he neither eats nor sleeps. Indeed, since the
death of his friend and comrade Patroclus the only food he
wants is slaughter of the Trojans. "You talk of food?" he
says to Agamemnon, who has argued that the Greek warriors
must eat before they return to battle,
I have
no taste for food—what I really crave
is slaughter and blood and the choking groans of men!
He has
vowed, indeed, to throw twelve young Trojan warriors on the
funeral pyre he will build for Patroclus—a human sacrifice
to the memory of his friend. And, of course, he continues to
tie the corpse of Hector to his chariot and drag it three
times daily round dead Patroclus.
Achilles is
inhuman. He cannot acknowledge the limits of bodily life—in
particular, our mortality. He cannot acknowledge that we are
less than immortal gods—and that, therefore, our actions
must have limits and our lives must recognize bonds of human
community across the generations. Another human being, a
fellow human being, does not impose upon Achilles what Weil
called "that interval of hesitation" before one who is our
equal in dignity. Brilliant, proud, godlike Achilles . . .
is not a man. Acknowledging no limits, acting as if he were
himself more than human, he becomes in Homer’s
characterizations less than human—"like some lion, going his
own barbaric way," "like inhuman fire raging on through the
mountain gorges / splinter–dry."
Apollo
makes the case for putting an end to what is happening.
"Achilles has lost all pity! No shame in the man." With the
help of Zeus, Priam, the aged Trojan King, comes to
Achilles’ tent to plead for the return of the body of his
son, Hector. In one of the most famous scenes in the history
of our culture, Priam puts to his lips "the hands of the man
who killed my son" and reminds Achilles of the bond between
the generations. "Remember your own father, great godlike
Achilles."
Those
words stirred within Achilles a deep desire
to grieve for his own father. Taking the old man’s hand
he gently moved him back. And overpowered by memory
both men gave way to grief. Priam wept freely
for man–killing Hector, throbbing, crouching
before Achilles’ feet as Achilles wept himself,
now for his father, now for Patroclus once again,
and their sobbing rose and fell throughout the house.
The gods
may live free of such sorrows, Achilles tells Priam, but "we
wretched men / live on to bear such torments." The fact of
human mortality undergirds the bond of human community. One
generation dies that another may succeed it, though not
without a sense of loss and sorrow. To be human is to be
born of human parents, to have a place in the affective tie
that binds together the generations of humankind.
"So come,"
Achilles says to Priam, "we too, old king, must think of
food." Acknowledging once again his own place within society
and the limits of his mortal flesh, he eats, sleeps, and
takes Briseis, now restored to him, to his bed. Commenting
on the poem, Bernard Knox notes that now at last Achilles
occupies "man’s central position between beast and god." He
is no longer "godlike" Achilles, nor "some lion, going his
own barbaric way." And precisely in being neither, his true
humanity—in all its nobility, dignity, and pathos—is
displayed.
Likewise,
at the beginning of St. Mark’s Gospel, Jesus, as the
representative Israelite and therefore representative man,
is depicted precisely as one who in his humanity stands
between the beasts and God. Having been baptized by John and
declared the beloved Son of God, Jesus is driven by the
Spirit out into the wilderness to be tempted by Satan—the
beginning of his great battle with Satan recorded in the
Gospel. And, St. Mark writes, "he was with the wild beasts;
and the angels ministered to him." The beasts may be
mentioned simply to accentuate the loneliness of the desert
as a place of testing and struggle, but more probably, as D.
E. Nineham suggests, "they are thought of as subject and
friendly to" Jesus, and, hence, "the passage should be
understood against the background of the common Jewish idea
that the beasts are subject to the righteous man." Cared for
by the angelic servants of God, Jesus simultaneously
exercises Adam’s dominion over the animals. He stands where
one who is truly human ought to stand—between the beasts and
God. He occupies an "in–between."
The story
of this true man culminates in a resurrection of the
body—that is, in a vindication of the creation. It teaches
us to honor the trajectory of human bodily life from birth
to death—from the dependence that marks our birth to the
dependence that marks our aging and dying. We are mortals,
not immortals. But we are mortals whose special place in
creation—and whose longing for something more than this life
alone can give—has been vindicated by the triumph of Christ.
We must learn to honor this bodily life without asking of it
more than it can be or offer.
If this is
what it means to be human, it may be no surprise that
bioethics—concerned as it is with Bios—should,
especially at its most philosophical, focus so much
attention on the beginning and end of life, on birth and
death. For they are connected more profoundly than as simply
the beginning and the end points of a life. To give birth to
one like oneself, out of the very substance of one’s being,
is, even if only unwittingly, to nod in the direction of our
mortality. Anyone who has had a child will recall how the
experience of becoming a parent immediately gives one a
different perspective on one’s own parents. We stand in a
line of succession. We give birth to those who take our
place, even though they do not precisely replace us.
If we stand
between the beasts and God, we occupy a distinct place
within the creation—a place that is passed on from parents
to children in the act of begetting. One can deny this, of
course, though not without paying a certain moral cost.
Thus, for example, in his Discourse on Inequality,
Rousseau allows himself to speculate about whether the
orangutan might be "a variety of man." We lack sufficient
knowledge to decide, he says. "There would, however, be a
method by which, if the orangutan and others were of the
human species, the crudest observers could assure themselves
of it even by demonstration; but since a single generation
would not suffice for this experiment, it must be considered
impracticable, because it would be necessary for what is
only an hypothesis to be already proved true before the
experiment that was to prove it true could be tried
innocently." Rousseau means, of course, that if human beings
and orangutans could successfully interbreed, it would be
demonstrated that they were of the same species. And we may
suspect that Rousseau’s claim that the experiment could not
be "tried innocently" unless it were known in advance that
orangutans were themselves human may be less sincere than
his playful willingness to contemplate—in the name, of
course, of research—acts of bestiality that would deny any
distinct place in the creation to humanity.
It should
not really surprise us that Rousseau might toy with such
possibilities. In his Reveries of the Solitary Walker,
though doubting whether true happiness is attainable, he
describes his notion of the kind of happiness appropriate to
a human being as follows:
But if
there is a state in which the soul finds a solid enough
base to rest itself on entirely and to gather its whole
being into, without needing to recall the past or
encroach upon the future; in which time is nothing for
it; in which the present lasts forever without, however,
making its duration noticed and without any trace of
time’s passage; without any other sentiment . . . except
that of our existence, and having this sentiment alone
fill it completely; as long as this state lasts, he who
finds himself in it can call himself happy . . . with a
sufficient, perfect, and full happiness which leaves the
soul no emptiness it might feel a need to fill. . . .
What do we enjoy in such a situation? Nothing external
to ourselves, nothing if not ourselves and our own
existence. As long as this state lasts, we are
sufficient unto ourselves, like God.
He wants to
be godlike. Desiring that, he is bound to lose the sense of
our humanity—that "in–between" place that distinguishes us
not only from God but also from the beasts. Desiring to be
like God, he can contemplate the possibility that he might
be a fit mate for an orangutan.
In our own
time, as we have come to think of ourselves more and more in
terms of will and choice, Hobbes’ "masterless men," we have
transformed the meaning of birth. The bodily act of
begetting, by which parents transmit their humanity to their
children, can become an act of technical mastery over that
part of nature which happens to be the human body. Here I do
not bother to note the various ways in which we do this.
Article after article tells the story. Nor will I give heed
here to ways in which new reproductive technologies—or,
should the day come, cloning—can subvert the meaning of
parenthood. I will look from the other side—at what it means
to be a child who is a product rather than a gift. Compare
two rather different ways of picturing what it means to have
a child.
We
might—indeed, we have increasingly come to—picture it this
way: because having children is something people want for
their life to be full and complete, because having children
is an important project for so many people, we ought to use
our technical skills to help them achieve what they desire—a
child, and, quite possibly, a child of a certain sort.
Indeed, having children—and, perhaps, children of a certain
sort—is an entitlement to which there can be few limits. If
the suffering and disappointment that infertility brings can
be relieved, if people who desire a child can live more
fulfilled lives by achieving that aim, then reproductive
technologies are a good thing. We rightly use our technical
mastery to augment human happiness by satisfying our
individual projects, our desire for a child "of one’s own."
A story line of that sort increasingly dominates our
thinking.
But compare
that approach now to a rather different image of the child
that emerges in Galway Kinnell’s poem "After Making Love We
Hear Footsteps."
For I
can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one
flash,
but let there be that heavy breathing
or a stifled come–cry anywhere in the house
and he will wrench himself awake
and make for it on the run—as now, we lie together,
after making love, quiet, touching along the length of
our bodies, familiar touch of the long–married,
and he appears—in his baseball pajamas, it happens,
the neck opening so small
he has to screw them on, which one day may make him
wonder about the mental capacity of baseball players—
and flops down between us and hugs us and snuggles
himself to sleep,
his face gleaming with satisfaction at being this very
child.
In the half darkness we look at each other and smile
and touch arms across his little, startlingly muscled
body—
this one whom habit of memory propels to the ground of
his making, sleeper only the mortal sounds can sing
awake,
this blessing love gives again into our arms.
This is a
child who is not "his own," or "her own," or even (what is a
little closer to the truth) "their own." We are pressed
almost to eliminate that little word "own." This child is no
one’s product or project, but a gift received, a blessing
love gives into our arms.
In the
passion of sexual love a man and woman step out of
themselves and give themselves to each other. Hence, we
speak of sexual ecstasy—a word that means precisely standing
outside oneself, outside one’s own will and purpose. No
matter how much they may desire a child as the fruit of
their love, in the act of love itself they must set aside
all such projects and desires. They are not any longer
making a baby of their own. They are giving themselves in
love. And the child, if a child is conceived, is not then
the product of their willed creation. The child is a gift
and a mystery, springing from their embrace, a blessing love
gives into their arms.
This makes
a difference in how we understand the meaning of children. A
product that we make to satisfy our own aims and projects is
one whom we control—and, indeed, over whom we increasingly
exercise "quality" control. A gift who springs from our
embrace is one whom we can only welcome as our equal. We are
not divine makers, but human begetters. And the child is not
the product of our will, of any quasi–divine fiat, but,
simply, one of us, who takes his or her place in the
community of human generations.
Being of
our being, these children are mortal. So ineluctably we find
ourselves forced to think not only of birth but also of
death. Here too the often admirable urge to do good all too
easily becomes a desire for mastery without limits.
More than
thirty years ago Paul Ramsey wrote chapter three of his
Patient as Person. That chapter, titled "On (Only)
Caring for the Dying," remains one of the classic essays in
bioethics. Thinking self–consciously from within a Christian
perspective, Ramsey noted how our desire to master death can
turn in two, seemingly quite opposite, directions. We may
strive to extend life as long as possible, or we may decide
to aim at death when the game no longer seems worth the
candle. Seemingly opposite, these two tendencies within our
culture both have their root in that same fundamental desire
to be master of death. We will hold it at bay as long as we
can, and we will embrace it when that seems to be the only
way left to assert our mastery. Neither way acknowledges the
peculiarly "in–between" place that human beings occupy in
the creation.
"A living
dog is better than a dead lion," says Koheleth, as if the
nobility of human life were to lie only in its duration.
When our goal is simply to ward off death, to stay alive as
long as possible, we miss an essential element in our
humanity—the trajectory of bodily life that begins in
dependence and moves, at the end, once again toward
dependence and death. We miss our mortality. Perhaps more
important still, we misdirect the longing buried at the
heart of human existence.
Our hearts
are restless, St. Augustine wrote, until they rest in God.
That is, what the human heart desires is not, simply, more
years. That offers quantity and continuance—which is more of
the same—when what we desire is something qualitatively
different. "Whatever has undergone no change certainly has
continuance," Kierkegaard writes, "but it does not have
continuity; insofar as it has continuance, it exists, but
insofar as it has not won enduring continuity amid change,
it cannot become contemporaneous with itself and is either
happily unconscious of this misalignment or is disposed to
sorrow. Only the eternal can be and become and remain
contemporaneous with every age." Even were we to master
aging and dying, we would not have achieved the heart’s
desire; for the longing for God is not a longing for more of
the same, more of this life. Were we simply another animal,
our good might lie in warding off death and preserving
bodily life. But we are not—and it does not. Standing
between the beasts and God, our being opens us to God. The
deepest chasm in our being is our need, not for more years,
but for God.
Neither,
however, should we embrace death—aim at it for ourselves or
others—as if it were an unqualified good. "Whose life is it
anyway?" I may ask. "Have I not been making decisions about
this life of mine for years now? Should I not be free to end
it if I wish?" Such questions come quite naturally to us,
but to give them moral standing is to live a lie. We are
earthly, mortal creatures whose being is, nonetheless, open
to God. We are not just animals—for we are open to God. We
are not gods—for we are open to God. Indeed, we are never
quite the independent individuals we like to think we are,
as the umbilical cord ought to remind us, and we deceive
ourselves if we suppose that freedom is the sole truth of
human existence. If we begin with the story of our creation,
we have to say that the author of our being has authority
over us. If we begin with the story of our reconciliation
and say "Jesus is Lord," we have to say with St. Paul: "You
are not your own; you were bought with a price. So glorify
God in your body." In either case, the project of mastering
death—of aiming at it for ourselves or others—is a delusion,
embracing as a good what should be, simply, undergone.
Edgar, in Shakespeare’s King Lear, gets the attitude
about right:
Men
must endure
Their going hence, even as their coming hither;
Ripeness is all.
Here again,
the temptation to be more than human may leave us less than
human. Taking control of dying, taking aim at life, through
practices such as euthanasia or assisted suicide, invites us
to ignore our shared humanity. Not all born of human
parents, not all who share in the bond of human generations
over time, will seem equal in dignity—if and when those
practices become accepted among us. To be equal in dignity
it will then not suffice to be a member of the human
community; it will be necessary to exercise those capacities
of reason and will that make mastery possible. What seems at
first like an expansion of our compassion—for those who lack
these capacities—very quickly becomes a restriction of the
scope of human community as they become candidates for
elimination. From within the human community, the full
number of those who occupy that "in–between" place, a great
divide erupts. Some exercise godlike mastery, others (like
the beasts) are put out of their misery.
To be
human, then, is to learn to live and love within limits—the
limits of our embodied, mortal life, the limits of those
whose being opens to God. It is to acknowledge, honor, and
esteem the particular place—between the beasts and God—that
we occupy in the creation. One need not, however,
contemplate for long the vision of humanity I have been
developing before a certain problem inescapably arises. To
accept—even affirm and honor—such limits in our coming
hither and our going hence is to accept suffering we might
possibly relieve. It is to admit that there is good we might
in our freedom accomplish which we should not attempt,
because what we do counts for even more than what we
accomplish. "The Fates have given mortals hearts that can
endure," Apollo says, addressing the gods to argue that
Achilles’ inhumanity must be stopped. Achilles must somehow
come to accept the meaning of mortal life, the limits that
must be endured—not because we are unable to transcend them,
but because we ought not. Can it be right to accept limits
even on the good we might accomplish?
One
response, of course, and it is a perfectly legitimate one,
is to note that we may find other, morally acceptable ways
to relieve suffering and do good. To the degree this is
possible in any given instance, we have every reason to be
glad and no reason to oppose it. But simply to take refuge
in such hopes and possibilities is to make our life far too
easy. We have to reckon with the fact that honoring the
limits of our "in–between" condition may mean there is good
which, in our freedom, we might accomplish but which we
nevertheless decline to do. Can that possibly be reasonable?
Discussing
some sermons of St. Augustine (first preached probably in
the year 397 but newly discovered in only 1990), Peter Brown
notes that Augustine was often required to preach at
festivals of the martyrs. This was a time when the cult of
the martyrs was of profound importance to the average
Christian, for persecution was still a very recent memory.
The martyrs were the great heroes, the "muscular athletes"
and "triumphant stars" of the faith. But, Brown suggests,
one can see Augustine quite deliberately making the feasts
of the martyrs "less dramatic, so as to stress the daily
drama of God’s workings in the heart of the average
Christian." For that average believer did not doubt that
God’s grace had been spectacularly displayed in the courage
of the martyrs. What he was likely to doubt, however, was
whether such heroism could possibly be displayed in his own
less dramatic and more humdrum day–to–day existence. And so,
Augustine points "away from the current popular ideology of
the triumph of the martyrs to the smaller pains and triumphs
of daily life."
An example
of how he does this is quite instructive for our purposes.
"God has many martyrs in secret," Augustine tells his
hearers. "Some times you shiver with fever: you are
fighting. You are in bed: it is you who are the athlete."
Brown comments:
Exquisite pain accompanied much late–Roman medical
treatment. Furthermore, everyone, Augustine included,
believed that amulets provided by skilled magicians . .
. did indeed protect the sufferer—but at the cost of
relying on supernatural powers other than Christ alone.
They worked. To neglect them was like neglecting any
other form of medicine. But the Christian must not use
them. Thus, for Augustine to liken a Christian sickbed
to a scene of martyrdom was not a strained comparison.
Here is a
vision of life—and a rather noble one at that—for which
"minimize suffering" is not the only or the primary
imperative. It directs our attention not just to what we do
or accomplish, but also to the kind of people we are.
A number of
years ago, the philosopher J. B. Schneewind wrote an article
with the seemingly puzzling title, "The Divine Corporation
and the History of Ethics." In it he sketched a way of
understanding an ethic—the traditional, received Christian
ethic—in which one’s moral responsibilities are always
limited. To be sure, Schneewind did this in part for the
sake of explaining how modern moral philosophy had developed
by turning away from that received ethic. But to understand
it is to comprehend something of the vision of our humanity
I have been unfolding.
Think of
our world as a cooperative endeavor created, ordered, and
governed by God. In it, as in any cooperative endeavor,
participants play their roles, carry out the tasks assigned
them, and in so doing join together to produce a good which
none of them could have produced alone. No one participant
is responsible for achieving the good of the whole or the
best overall good possible; yet, the work of each is ordered
toward that good. Sometimes individual agents will see more
or less clearly how their tasks are related to the overall
good, and in such cases they will need to take that into
account and could perhaps be criticized if they simply
ignored the general good while noting that they had
fulfilled their assigned task. At such moments they need to
act creatively in ways that are not simply given in any
role.
There may
be other times, however, when an individual cannot really
see the larger good his assigned duty serves. In such cases,
he cannot be criticized for ignoring the larger good while
"minding his own business," for he simply doesn’t know that
larger good. We can imagine a world in which the overall
good is very important but also very complex, far too
complex for any individual agent always to be sure of how
his work contributes to achieving it. And we can also
imagine that the supervisor in charge of this supremely
important but very complex project is able to foresee
problems and deal with emergencies, is fair in his
supervision, and is good—"too good ever to assign any duties
that would be improper from any point of view." That world,
imagined as a cooperative endeavor with God as that uniquely
qualified supervisor, is the Divine Corporation.
Changing
from a workplace metaphor to a more literary one, we might
think of these agents as characters in a play. They know the
part given them, and each must play it in his own way. But
none of them is the dramatist or director, and none of them
knows how the plot of the play is to be satisfactorily
worked out. This is our situation. We are not the author but
characters in the story—under authority. C. S. Lewis put the
metaphor this way:
We do
not know the play. We do not even know whether we are in
Act I or Act V. We do not know who are the major and who
the minor characters. The Author knows. . . . That it
has a meaning we may be sure, but we cannot see it. When
it is over, we may be told. We are led to expect that
the Author will have something to say to each of us on
the part that each of us has played. The playing it well
is what matters infinitely.
Whichever
metaphor we prefer, it is clear that if God recedes as a
governing, directing, authorial presence whose
responsibility it is to see to the good of the whole or work
out the plot of the play, then human responsibility
correspondingly increases and intensifies. That, as
Schneewind suggests, is the story of modern moral
philosophy. It is common, and for certain purposes quite
helpful, to contrast the approaches of Bentham and Kant, to
see in them the two quite different normative
paths—consequentialist and deontological—modern moral
philosophy has taken. But in another way, seen against the
background of the Divine Corporation, they are quite
similar. Lacking either Nature or Nature’s God to supervise
and direct that Divine Corporation, our moral responsibility
increases. It becomes our task to determine and achieve the
overall good or to find principles of action that can be
willed universally.
Suppose a
child is born with severe physical or mental defects.
Suppose someone suffers greatly while dying. Who bears
responsibility for that? Who must somehow make it good? In
something like the Divine Corporation model God is finally
responsible. Hence, we have centuries of reflection on
theodicy. But if God, that uniquely qualified supervisor, is
eliminated from the picture, either no one is to blame or we
are. Either no author is at work bringing the plot of this
story to a satisfactory conclusion, or we will have to sit
down at the word processor and assume that divine authorial
responsibility. There is no need for theodicy any longer, as
if we needed assurance that God would work things out. The
need, rather, is that we should see ourselves as responsible
for making things work out. And so, we are tempted to step
out of our "in–between" place, to forget that as we seek to
be more than human we may become less than human.
We can see
a practical illustration of this if we consider the
widespread—indeed, now almost routine—practice of prenatal
screening of infants in the womb. Suppose we decline to
screen and a child is born with defects. And suppose we no
longer can say with the psalmist, "Return, O Lord! How long?
/ Have pity on thy servants!" If we are not simply
cooperators in and with a power greater than our own, we are
the lifegivers, who bear responsibility for the quality of
the life we give. If we merely cooperate with a power
greater than our own, our task is to benefit as best we can
the life this child has. When we become the lifegivers, we
may be asked to decide whether it is a benefit to have such
a life.
Reaching
that high, we may fall into a state less than human. For in
accepting such responsibility for the next generation, in
allowing ourselves even to suppose that it could be a
fitting role for human beings, we lose the fundamental human
capacity to love—to say to our children, to the next
generation, "It’s good that you exist." And once again,
instead of equal human dignity for all born of human
parents, we will see a fundamental divide erupt among us:
some will bear a quasi–divine responsibility. Others, whose
lives do not meet our standards, will be put out of their
misery. Better perhaps to learn to affirm and honor our
peculiar place between the beasts and God.
In
accepting our limits, we accept the fact that there may be
suffering which could be relieved but ought not. Ought not
because there is no right way, no fittingly human way, to do
so. This does not mean, however, that those who suffer do so
alone. Quite the contrary. Oliver O’Donovan, noting how
suffering has become almost unintelligible for us, has
helpfully distinguished between compassion and sympathy.
"Sympathy is the readiness to suffer with others and enter
into the dark world of their griefs. Compassion is the
determination to oppose suffering; it functions at arm’s
length, basing itself on the rejection of suffering rather
than the acceptance of it." Since we cannot imagine
suffering as our own willed project, and since we have come
to suppose that all moral order has its ground in our will,
suffering must, by definition, be morally unintelligible. We
can interpret it only as a defeat, though we may live to
fight another day.
For
Christians, the ills to which this mortal human life is
subject, the sufferings we bear, are, as William F. May has
put it, "real, but not ultimate." They are real, sometimes
terrible, and we must oppose them as best we can within the
limits appropriate to creatures such as we are. But we
cannot possibly take their measure rightly if, as May puts
it, we "cannot believe that the decisive powers in the
universe could possibly do anything worthwhile in and
through the suffering" we and others undergo. However deep
and profound our suffering, "the Fates have given mortals
hearts that can endure." That is, though suffering and dying
are a great crisis of this bodily life, the very deepest
problem is the isolation and abandonment they seem to bring.
Hence, if we are to endure, we need from others not just
compassion but sympathy—that readiness to "enter into the
dark world" of the sufferer. And if we are to make sense of
our humanity, of the heavy yet limited responsibility we
bear, the Divine Corporation will need more than just a
uniquely qualified supervisor. That supervisor might be
capable of compassion, but we will need sympathy.
When, in
that most famous of scenes, Priam comes to Achilles in his
tent and they give way to their common grief, Achilles says:
Let us
put our griefs to rest in our own hearts,
rake them up no more, raw as we are with mourning.
What good’s to be won from tears that chill the spirit?
So the immortals spun our lives that we, we wretched men
live on to bear such torments—the gods live free of
sorrows.
But perhaps
those are not the gods we need if we are to be fully human,
for, living free of sorrows, they do not promise true
sympathy. This is most strikingly apparent when Hector
confronts Achilles, terrible in his power and anger, and
Athena comes to Hector in the guise of his brother
Deiphobus, promising to help him in the fight. "Come, let us
stand our ground together—beat him back."
"Deiphobus!"—Hector,
his helmet flashing, called out to her—
"dearest of all my brothers, all these warring years,
of all the sons that Priam and Hecuba produced!
Now I’m determined to praise you all the more,
you who dared—seeing me in these straits—
to venture out from the walls, all for my sake,
while the others stay inside and cling to safety."
Hector
hurls his spear, but it glances off Achilles’ shield.
He
stood there, cast down . . .
he had no spear in reserve. So Hector shouted out
to Deiphobus bearing his white shield—with a ringing
shout
he called for a heavy lance—
but the man was nowhere near him,
vanished—
yes and Hector knew the truth in his heart.
. . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
I
thought he was at my side, the hero Deiphobus—
he’s safe inside the walls. . . .
Rather
different is the picture we find in Mark’s Gospel. In that
story, it is not too strong to say that God dies outside the
walls of the city, sharing the mortality that marks human
life. It is of the dead man on the cross that the centurion
says, in the Gospel’s climactic statement: "Truly this man
was the Son of God." This God does not live free of sorrows.
He accepts the mortality that marks our own "in–between"
place—and is therefore also one of us. In a world governed
by such a God, we can find and accept our place, we can live
out the role given us in faith and hope. We can, that is,
ourselves become fully human.
Gilbert Meilaender holds the Richard and Phyllis Duesenberg
Chair in Theological Ethics at Valparaiso University.
Copyright © 2002 First Things 119 (January 2002): 23-29.
www.firstthings.com
Print format
|